Michael Sarnoski’s dying outlaw in The Death of Robin Hood tests, after a remorseful confession, who controls the past.

Anne Carson's oeuvre bridges the gulf between Homer and Gertrude Stein while ignoring, subverting, and toying with everyday ...

Political punks, the Iron Roses' latest collection, Molotov Nights, is their strongest yet, a state of the union that enrages ...

It’s easy to take Sheryl Crow for granted. Her string of hits provided the easy-listening soundtrack of the 1990s and 2000s, ...

Carlos Saldanha’s 100 Days turns an extraordinary Atlantic crossing into a portrait of a man who seems less troubled by ...

On his fourth album, She's the Best, Troye Sivan's elusive search for connection finds him languishing in the party's ...

Calling Antonín from James Brandon Lewis' Red Lily band is another rollicking but meaningful statement from one of the most ...

Great Falls absorb their influences, turning the familiar sounds of post-hardcore, noise rock, sludge, and post-metal into ...

The Encore, Taylor Swift does little to change the original album's reception, but offers harmless fun nonetheless.

Haunting and exotic, Visions of Nar's second record, Awakening, takes us on a tone-colour trek across cultures. It's a ...

Where Blodtår differentiate themselves, especially on their new record, is in how they open up melodic Swedish black metal ...

On Through to Us, Matthew O'Neill names his more-than-human contributors by species, and crafts an album whose purpose is to ...